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The Mockingbird in the Holly Tree

 

 

                                   

 

           

 

This is the sixth year the same mockingbird has lived in my yard.

He holds court from a large holly tree, glossy and dense,

its red berries bright against winter gray.

 

Like all mockingbirds, he is territorial, vigilant, opinionated. But he is also unmistakably singular.

Four years ago, he developed a large tumor beneath the feathers of his shoulder. It deformed his wing so that it hangs down, unable to close completely. The injury changed his silhouette, his flight patterns, and—almost certainly—the course of his life.

And yet, he remains.

 

He fiercely defends his territory from other mockingbirds, driving them off with determination that seems disproportionate to his body’s limitations.

 

 

                            

 

 

Within his borders, however, he has built something that looks very much like a community. Cardinals, sparrows, chickadees, goldfinches, titmice, and juncos all move through the yard freely. There is an order, a balance. He is unmistakably the leader here—not through constant aggression, but through presence, vigilance, and a clear sense of boundaries.

Even the squirrels are tolerated, as long as they keep their place.

 

I have come to believe that this community is not incidental to his survival, but central to it. He seems to draw comfort and purpose from the constant activity around him—the shared vigilance, the overlapping lives, the mutual awareness. When the neighborhood hawk appears, he joins the crows in sounding the alarm, sharp calls rippling outward. It is a collective response, one voice amplified by many. No one species survives alone.

 

Every time I step outside, he comes to greet me. He samples my food offerings immediately, confidently, as though confirming that all is still as it should be. Over the years, a rhythm has formed between us—unspoken and unromanticized, but steady. I am part of the ecosystem now, another predictable element in his daily calculations.

 

He has never found a mate. I have witnessed several attempted courtships—hopeful, earnest, unfinished. Perhaps his deformity altered how others perceive him, or limited his ability to perform the elaborate displays mockingbirds are known for. Nature does not promise fairness. Survival and belonging are negotiated, not guaranteed.

And still, he sings.

 

Mockingbirds are famous for their mimicry, their endless catalog of borrowed songs. His voice is made of many voices—fragments gathered from the world around him, woven into something that is entirely his own. There is something deeply communal in that music, a reminder that creativity, like resilience, is often collaborative.

 

Not all visitors to the yard contribute to this balance. Robins and starlings arrive in large groups, storming in without regard for who is already there. They overwhelm the space, taking everything available whether they need it or not, leaving disruption in their wake. They do not interact well with other birds, and their presence is brief but destabilizing.

 

Watching these dynamics play out, it becomes impossible not to see parallels to our human world—especially in this difficult political climate. Strong, diverse communities are not formed by sameness or domination, but by cooperation, boundaries, and respect for difference. Diversity creates resilience. It allows space for many ways of being, many voices, many roles. When one group seeks to overpower rather than participate, the entire system suffers.

 

As a nature artist and environmentalist, I return again and again to individual stories because they make these truths visible. This mockingbird, with his altered wing and unyielding will, shows me that leadership does not require perfection. That community can offer meaning even when other paths—pairing, reproduction, legacy—are closed. That strength can look like attentiveness rather than force.

 

His life is not inspirational in a tidy way. He has adapted rather than overcome. He lives fully within his limits. And year after year, he claims his place, tends his community, and sings a song made of many voices.

 

In a time when democracy feels fragile,

the mockingbird shows that survival belongs to communities that protect diversity and refuse to be overrun.

 

 

 

 

 

                                                                                                        

 

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Supporting the Places That Support Us


 

 

 

 

I’ve always found my truest sense of belonging in the natural world. It speaks through my art, lives in the corners of my home, and shapes the way I move through life.

 

My roots run deep in the soil—literally. I grew up on a cattle and tobacco farm, where the rhythm of life was set by the seasons, the weather, and the needs of the land and animals. That early connection to the earth shaped the way I see the world. It taught me that the land gives so much to us, quietly and constantly, asking for very little in return—only that we care for it as it cares for us.

Over the years, that connection evolved but never faded. I built my first home on a hill above a creek, choosing the location not just for the view, but for the sense of peace and presence that being close to nature brings. And now, in this next chapter of life—my so-called “empty nest” years—I’ve settled in the city. It might seem like a far cry from the farm, but my backyard tells a different story.

I’ve spent the last few years slowly transforming that small patch of land into my own little nature sanctuary. I started by clearing out many of the honeysuckle trees that had overtaken the space—not all of them, because I recognize their value. The berries feed the wildlife, the tangled vines offer safe harbor for birds, and their shade cools the yard during the summer. But I made room for diversity, for native plants, and for other forms of life to return.

In doing so, I uncovered a treasure I hadn’t expected: an ancient silver maple, standing tall and wide like a quiet guardian. She had been hidden in plain sight, partially choked by overgrowth and ignored for years, maybe decades. Reclaiming that space and bringing her back into the light felt symbolic—like honoring something timeless that had always supported life around it, even when no one was watching.                              

 

 

Our planet is under pressure—climate change is accelerating, and vital protections are being dismantled. The window for action is closing, but we are not powerless. Change starts in our own backyards, and small actions, multiplied across communities, can spark real, lasting impact.

This year, I took another step forward. I certified my backyard habitat with the National Wildlife Federation. https://www.kwalliance.org/certified-backyard-habitats.html

 

It was a way to be even more proactive and to show my family, neighbors, and friends that they, too, can—and should—join the effort to create and maintain more habitats in their own backyards. It doesn’t require acres of land. It just takes intention, a bit of effort, and the willingness to coexist with the wild things that have always been here with us.

That’s the thing about nature—it supports us in ways we don’t always recognize. It nurtures us physically, emotionally, even spiritually. From the air we breathe to the silence that soothes, it gives and gives. But too often, we forget to give back.

Supporting the places that support us doesn’t have to mean grand gestures. It can start right in our own backyards. It can mean planting native flowers for pollinators, reducing chemical use, conserving water, or simply letting parts of our space grow wild. It can mean protecting old trees, feeding the birds, or just sitting quietly and noticing what lives around us.

Whether you live in the country or the city, on a sprawling farm or in a small apartment with a balcony garden—nature finds a way to show up for us. The least we can do is return the favor.

So today, I encourage you to ask yourself: How can I support the place that supports me?
The answer might be simpler—and more powerful—than you think.

 

 

 

 

 

 

 

 

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An Artist's Farewell To Summer


All is Golden

 

Summer is quickly coming to a close. The once-vibrant greens and sun-drenched hues are fading, and with them, a particular sense of inspiration that I find so distinct to this time of year. As an artist, I’ve always been drawn to the ever-shifting landscapes around me—how the light dances, how the world feels alive and changing with every passing moment. But as the season winds down, the change in the air feels almost like a silent invitation to slow down and reflect.

Out in nature, it’s becoming more evident that summer’s colors are beginning to soften. The bright bursts of wildflowers are now replaced with fading petals and deeper shadows. The greens that once seemed so full of life are gradually taking on a yellowed tinge, foreshadowing the autumn that’s just around the corner. It’s a subtle shift, almost imperceptible at first, but as an artist, it’s hard not to notice. Each brushstroke of nature seems more deliberate, more introspective, as if the earth itself is taking a final bow before the cooler days arrive.

I can’t help but think of how fleeting beauty is, especially when captured in art. There’s a sort of urgency that comes with these last moments of summer. It’s as though the world is whispering, "Capture me now, before I slip away." The gentle curve of a petal, the way light filters through the trees, the play of shadows as the sun dips lower in the sky—each of these moments feels like it’s slipping through my fingers, and I feel compelled to immortalize them.

This fleeting quality of summer brings me back to a line from the poet Robert Frost, "Nothing gold can stay." For me, this line resonates not just with the impermanence of seasons but with the nature of art itself. Art is an attempt to hold on to something transient. Whether it’s through painting, sculpture, photography, or even writing, we try to freeze moments in time. But just as Frost’s leaves turn to gold and then fall away, so too does the beauty in every brushstroke and canvas. The moment we try to capture it, it’s already begun to change.

There’s a delicate balance between holding onto something and letting it go. As the days shorten and the air becomes cooler, I find myself pausing longer, observing with more intensity. I know that as soon as autumn arrives, the palette around me will shift—deep reds, oranges, and browns will replace the vibrant greens and summer blues. But it’s not a loss, it’s an evolution, a transformation. Every season, every phase of life, carries its own kind of artistry.

As an artist, I’ve learned that the beauty of a fleeting moment lies not just in capturing it, but in acknowledging that it won’t last forever. And perhaps that’s the true magic of art—our ability to hold onto the essence of a moment, to freeze it in time, but to also let it go when the time is right. Just as summer gives way to fall, so too does every creation find its completion, knowing that new inspiration will inevitably come.

So, as I venture out one last time to capture the essence of summer, I’m reminded to let go with grace, to accept the transience of it all, and to welcome the new inspirations that autumn will surely bring.

 

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Under the Same Moon

 

 

     "Luna"   oil on panel, 24"x18"  

 

The world around us seems to be unobtrusive to our everyday lives, giving us a background to our goals and ambitions. However, the connection between mankind as a whole and nature is inalienable and important. As our world becomes entrenched in the developments of man, nature seems to be losing its dominance. There are complex interactions between man and nature, a struggle for power, balance, and perpetuation. Does man dominate nature? Can nature be tamed? Will humanity be able to coexist with the endlessness of the natural world around us? The emphasis on this age old dichotomy has transformed immensely in recent history, and the survival of both man and nature depends on how we view this struggle.

 

 

"Mountain Girls"   oil on canvas, 30"x 40"  

 

People use art to help their well-being but also to draw attention to societal changes and issues. The combination of art and nature allows people to explore the natural world, create more profound meaning for themselves, and connect people through understanding and viewing their artwork. 

I believe we have a deep spiritual connection to nature. The rich, often mystical environments, animals and figures I depict in my paintings come from my need to honor and understand that connection An intimate relationship with the environment is built into our psyche, and it is my hope that my paintings will help stir a response to that connection. Everything in nature has a story that needs to be heard.

 

 

"Communion"   oil on canvas, "24"x 30"  

 

It is my greatest wish to bring awareness of the connectedness of humankind and nature in my art, to tell a story with my paintings. I want everyone who views my art to feel the mystery and magic of ordinary things, and maybe, in some small way, help nurture a consciousness of compassion, connection and commitment to nature and our environment.

 

 

 

Living my artful life, 

Pam

 

 

 

 

Check out my Holiday Art Sale on my website. Give the gift of original nature art to someone you love.

Art breathes life into a home.

pammcdanielfineart.com

 

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Hope Is the Thing With Feathers

 

Hope Is the Thing With Feathers

Reclaimed barn wood,vintage typing paper, vintage recycled carbon paper (combed onto the paper), splattered India ink, vintage colored paper collage cutouts.

 

As I woke up and read the headlines today, several thoughts ran through my mind. The topmost thought was of hope for the people, families, and lives affected on this dark day in history. May the people of Ukraine hold on to hope and still manage to allow it to sing in their hearts, even as they go through the horror of invasion and war. May the world come together to save innocent lives, their homes and country.  As we sit here in our homes and carry on our normal routines, may we collectively hope for those affected and for those yet to be affected.

Hope and art are firmly attached in my mind and personal philosophy, so I thought it was a good day to write my monthly art blog. 

Several years ago, as I was packing up my house, about to embark on a big move, I ran across some old office supplies that were given to me by a member of my family who had used them in the 1940's. Among these things were old embossed typing paper, a box of used carbon paper, faded colored paper. and black India ink. I thought about how to best use these things while honoring the memory of someone who was precious to me.  With this in mind, I continued packing up boxes of memorabilia and odds and ends and I ran upon my Father's comb that I had watched him use on many many mornings in my youth and even after I had become an adult and came home to visit. My Father was a huge proponent of , If it still works, why replace it. I also found a metal Christmas ornament from my Mother that said "Hope". I tucked the comb and the ornament into the box with the office supplies and continued packing. It was Winter, a cold day in early February that I moved my life from one city to another. My parents had both passed away within months of each other a few years earlier. My two oldest children were grown and had recently moved out of the house and my youngest was not far from going her own way as well. When the move was finally finished, and I was settling into my new house, I found the little box that I had saved, and in the throes of imminent complete empty-nesting, I sat down to do what has always been my best therapy, creating a piece of art. 

Anyone who knows me, knows that I love birds and nature. All of my art has an underlying theme of the connectedness of humans, animals, and nature. So on this cold, snowy day, I thought of my family that had passed and the legacy of lessons and love they had left for me to nurture and pass on one day to my own children. What message could I give them? How to best pass on things that were touched and used by generations of family before them?  Seemingly insignificant things, precious to no one but family who knew the stories attached to them.  As I often do before starting a piece of art, I went to my favorite poets to get inspiration. I landed on a poem by Emily Dickenson, "Hope Is the Thing With Feathers", and I was inspired.

Watching little birds in winter, hunched over from the weight of snow, but still managing to sing their beautiful tunes in, what I imagine to be, the anticipation of spring, not too far away, has always given me a lift in spirit and the gift of hope. Hope doesn't cost a thing and keeps us warm, inspiring us to carry on. So, using the image of a bird in winter, my father's comb as a tool, my mother's ornament and the supplies from the past and as a gift to myself and my children, I created another work of art to pass on. Embedded within it, are stories and physical reminders of family gone before them, and a reminder of the power and importance of hope. 

 Finding  or creating artwork that you have an emotional connection with can also serve as a means to improve your mental health. Hang an emotive piece somewhere you will see it every day, and humankind’s spiritual connection to the arts will do the rest.

Sally Augustin, PhD, an applied environmental and design psychologist and founder of Design with Science says: The right nature-based artwork can also give clients a way to muse on life situations, these experts add. Images of a pathway through a serene landscape or a rbench in the middle of a pleasingly landscaped garden can foster relaxation or allow clients to make mental associations with the imagery. But, Augustin cautions, avoid nature imagery that's confusing, chaotic or complex. "You want to look at a scene that would be comfortable to enter," she says

 

Scan the QR code below to read an article " Healing by Design."  It is research-based design insights for therapists offices, but I apply it to my own home. 

 

As always, new work, inspired by my wanderings in nature is on my easel. 

        

These small and medium works will be included with others in an upcoming studio flash sale. Stay tuned for the date and time.

                                          

Larger new work now available

please subscribe to my newsletter for updates on new artwork and events and to get dates for upcoming sales.

 

Living my artful life, 

Pam

 

 

 

 

 

 

 
 
 
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The Journey Continues

 

 

The Ever Evolving Journey

Path in the Red River Gorge 2020

The Journey

by Mary Oliver

                                                                          

One day you finally knew
what you had to do, and began,
though the voices around you
kept shouting
their bad advice–
though the whole house
began to tremble
and you felt the old tug
at your ankles.
“Mend my life!”
each voice cried.
But you didn’t stop.
You knew what you had to do,
though the wind pried
with its stiff fingers
at the very foundations,
though their melancholy
was terrible.
It was already late
enough, and a wild night,
and the road full of fallen
branches and stones.
But little by little,
as you left their voices behind,
the stars began to burn
through the sheets of clouds,
and there was a new voice
which you slowly
recognized as your own,
that kept you company
as you strode deeper and deeper
into the world,
determined to do
the only thing you could do–
determined to save
the only life you could save.

 

2021 has been a hard year for many of us.  A year of loss in many ways. For me, the pandemic became more personal when my brother lost his life to Covid-19.  Friendships have been tested, families have had extra burdens to bear as we have had to physically distance from ones we love. Isolation for some has created emotional and mental issues and challenges. Some of us have had to shift from in person to virtual work, forcing us to quickly learn a new way to navigate our careers. Everywhere I look, there has been something to "fix" and the "tug on my ankles" has been unbearable at times. I began to turn to nature to quiet the voices and the ever present needs threatening to pull me under.

 

As John Muir said, "Into the forest I go, to lose my mind and find my soul"

 

Little by little, I am starting to pull free from my often self imposed, worries as I realize that many times there is nothing to "fix". Who am I to decide what is right for someone else, to interrupt their journey?  Our lives are a process of continual change and expansion filled with struggle and enlightenment if we are open to it. "Fixing" things for someone else may rob them of their journey and the wisdom that comes from it.  

As I continue my pilgrimages into the woods, creeks and fields , I realize that so much innate wisdom exists in the forces of nature, a sort of primal blueprint. Plugging into the peace and comfort of that certainty has quieted my mind and helped me to hear my own voice.

I painted a bench for an Arts Connect  ( Kate Savage) project a few years ago that sits outside the Carnegie Center at Gratz Park in Lexington, KY.  My bench highlighted a book written by Kentucky artist George Ella Lyon. The book What Forest Knows, celebrates nature and it's evocative, ever changing beauty and the innate wisdom of knowing when to  respond to the changes of the seasons. Only now, am I beginning to truly understand the depth and beauty of this enchanting children's book.

                             

 

As a nature artist, I am sensitive to the  subtle and not so subtle changes of the seasons. As I become more aware of my own voice as a person, I hope to be able to bring that voice into my art via a greater awareness of the manifestations of the innate wisdom I observe in nature.              

                     

 

   

I hope you join me on my journey as I paint and blog and grow as an artist ,                                                     

 Living my artful life, 

Pam

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For the Animal Shall Not Be Measured By Man

                                                      Queen Buttercup

 Queen     Buttercup    

"Until one has loved an animal, a part of one's soul remains unawakened."

- Anatole France

As an artist who is deeply connected to nature and all of its inhabitants, I am often inspired by a particular animal. I saw Queen Buttercup's image on a dear friend's facebook post and was struck by her look of dignified contentedness. Having grown up on a farm with lots of cattle, I think they are beautiful individuals with their own personalities. I instantly wanted to paint her, and also having just seen a photo of a beautiful cup and saucer vine (cathedral bells) on my cousin's garden wall in Oxford, England, it seemed a perfect pairing. Curious about Queen Buttercup's story, I reached out to my friend who was lucky enough to be sharing her life with this beautiful animal. I knew then why she looked so content to me, and I felt that her story is one that needed to be shared.

My friends, who have a  small farm, responded to an offer of a cow. When they went to pick her up, they had no idea that she was in terrible condition. She had been kept in a barn stall by herself in mud up to her hips. They didn't know that she had an issue with her back leg until they got her back to the farm. She was pregnant with a calf and after she gave birth, the calf had many complications, having to be taken away from his mother and fed with a bottle until he was weaned. The veterinarian told them that the calf wouldn't make it, but with lots of love and care, he is alive today. At five months, Sweets (the calf's name) was finally able to be reunited with Queen Buttercup who could now bond with her baby. Buttercup’s leg, however, continued to get worse and despite multiple vet visits and many different treatments that failed to help, she got to the point where she couldn't stand up. She had to be humanely put to sleep. Queen Buttercup was able to enjoy two and a half years being cared for and loved after her rescue. She was able to have her baby and bond with him. She had barnyard friends and the love of good, kind people and their little boy. Although they wished she could have lived longer, they will forever benefit from the experience and the lessons they learned while caring for their first cow. 

                                                        

                                

 

 

With all the negative in our world today, sometimes it's important to bring to light the little acts of kindness and love that make living worthwhile.  I hope that everyone, no matter their lifestyle or circumstance, has the opportunity at some point in their life to love an animal and have that part of their soul awakened.

Living my artful life,

Pam

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Bringing Nature Into Your Home

Bringing Nature Into Your Home

"One touch of nature makes the whole world kin."

John Muir
It's already fall......
With each day bringing us closer and closer to cold weather, I find it harder and harder to force myself indoors after a break outside. I'm reveling in my after dinner hikes at a nearby 3000 acre farm. I have spent the last 8 months heading out, as often as possible, to commune with nature, take reference photos for paintings, and breathe in the clean air.  I have become intimate with my backyard
residents, naming my squirrels and recognizing the various calls of the birds and the pattern of their days. I have spent as much time as I could allow myself trekking around parks and nature
preserves.
                               
                                                                      
   
                                                      
I have had both vaccines for Covid-19 and most recently, a booster vaccine along with a flu shot.  As the prevalence of Covid slowly decreases in my area (Thankfully!),  I am very much aware that I won't continue to have the luxury of the more relaxed and flexible schedule of working solely at home that  I have become accustomed to. As I transition into working with and in the public again, I will most likely not be able to spend the time outdoors needed to feed the nature addiction I have aquired.

So what do I do?

I decorate my home with little collections and paintings that bring nature into my  home.

 

Original oil painting "The Hare" 
inspired by my backyard bunnies.
Available for purchase in my portfolio of work.
       
 
                                    untitled image
  This dish of acorns and pinecones represent trips/hikes from many different wild spaces I've been. Each one holds a special memory that I can bring to mind every time I pass them. Besides that, they are beautiful little works of nature's art. I try to pick up a small stone in areas where it is allowed when I can, to bring  home some of the good vibes of the time spent in nature. It is wonderful to have  physical reminders of the trip.
                              untitled image                                             untitled image                     
I found a beautiful conch shell and the exoskeleton of a horseshoe crab on a recent trip to Tybee Island. I saved a dried "mushroom" growing by a tree in my backyard, and am adding to the collection of feathers on my desk every time I find one in the wild. I'm always  reminded of a favorite book, "Where The Crawdads Sing" by Delia Owens as I collect a feather here or there.
Not only do these nature collections bring good vibes and memories into my living space, they also serve as inspiration for my paintings as well as physical "models" to draw and paint from.
"Every natural object is a conductor of divinity....." John Muir
"Attention is the beginning of devotion." Mary Oliver
The world seems to go too fast for us to slow down, but slowing down is just the thing that would help us find our footing. I know for sure that I need to find my footing after the past (at least) two years!
I downsized drastically to a much smaller house when my children were grown. Then I started the "purging of possessions".
It was literally and figuratively freeing.
Anything I kept either needed to be useful or made precious by the memories attached to it. At the end of the purging, I found myself with a practically empty house! Gone were the matching bedroom suites, living room suites, and dining room suites. In fact, anything that could have the word "suite" attached to it.
I started buying an old piece here or there that spoke to me, refinishing or repurposing to suit my aesthetic.
Now, when I walk through my much smaller house, everything I see has meaning to me, memories attached (good memories!). My addition of objects of nature into my home (not house) suits me for now. Eclectic for sure, and I'm happy with that. My way may not be for everyone, but I can guarantee that whatever your style, if you love and crave a connection with nature, bringing some of it into your home will enrich your life and well being.   
 
                                           
                                  A trilogy of nature paintings I did on old reclaimed wood panels. A planter with a rescued bamboo plant surrounded by stones collected on hikes. A painting of a fox framed in old barn wood standing watch over a pottery bowl (made by a local artist ) full of treasures found while walking along a beach one early morning. A collection of buckeyes beneath a wood stain painting of a crow I watched one evening on a hike.
                                                                  
I use my reference photos to paint from or be inspired by. There are many of my nature paintings in my portfolio of works that are available for purchase.
 
"In every walk with nature one receives far more than he seeks. The power of imagination makes us infinite. Everybody needs beauty as well as bread, places to play in and pray in, where nature may heal and give strength to body and soul. Keep close to nature's heart........"
John Muir
 
Hang in there everyone, there is light at the end of the pandemic tunnel!
I continue to be mindful of the fact that my loved ones and I have been among the lucky ones who have not been tragically affected by this horrible virus. We have not escaped unscathed, but we are alive and together and I am eternally grateful for that.
Remembering and honoring all who have died or suffered great loss as well as the heros who have, and are still, fighting the battles for us every day!

Living my artful life,

Pam

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